"Getting Nowhere" Final Video

Evaluation 4- How did you use Media Technologies in the Construction and Research, Planning and Evaluation Stages?

By Tom Beal

Evaluation 3- What have you Learnt from your Audience Feedback?

We discovered a useful website called SurveyMonkey that allowed you to create your own surveys. It was quick, free and very simple to use, however, we only discovered this after we had finished our production. If we were to do this again we would certainly use this website to gain our audience feedback in order to improve our production. Here is a link to the survey we made simply by using the website.

http://www.surveymonkey.com/s/TVCTGMF

As you can see the survey is very specific and detailed relating to our genre of music, therefore targeting our audience. The survey is online based so we could of used social network sites, such as FaceBook, to directly send the survey to people we knew and attain their feedback with ease.



Creating social networking pages was a good, simple way of gaining audience feedback. Because social networking sites like Twitter and Facebook are so widely used by such a diverse audience, you can create pages to target particular audiences and niche markets. Both for Twitter and Facebook we made artist pages promoting the digipak and music video, posting updates including links to the music video and the final design for the digipak, as well as including the artist's website for more information. With the ease of accessibility demonstrated from both of these sites and with such features such as share and retweet, the video can reach a like minded audience within minutes and so we received feedback instantly, and so gave us other ideas and options as to what our target audience looks for and hopes to find when viewing music videos in this genre and so comments were left on posts and more comments and likes were seen on out YouTube page.

Facebook was good to use for the sharing feature and so was able to get our posts out to a huge audience almost instantly, was also good for immediate commenting on posts and the like feature for posts also.

Twitter was useful because of the retweet feature, and so much like the Facebook share feature, our posts were able to be seen instantly by anyone else's followers. The hashtag feature on twitter was also useful because people searching or using the same hashtag would be able to see our own tweets, again getting out our production to a wide audience and gaining audience feedback.





By James Raison, Christian Sheen and Tom Beal

Evaluation 2- How Effective is the Combination of your Main Product and Ancillary Task?

By Charlie Head

Evaluation 1- In what ways does your Media Product Use, Develop or Challenge Forms and Conventions of real Media Products?

I have gone through our final cut of our music video and selected specific frames which i have placed into a moodboard.

Setting and Location

Our music genre 'dubstep' generally doesn't have strong conventions as its a growing genre. However when researching our genre connotations that came to mind were it being underground and urban. The opening of our video suggests these this with the tower block and the basket ball net with graffiti. The location we used throughout our music video linked well with the themes within our chosen song. The song being called 'Getting Nowhere' ignited our idea of showing someones struggle and the problems they would face. When discussing the protagonist's (Tom) struggles, the main ones that came up were youth gang violence, drugs and money, which were all negative connotations of a rough area. Therefore, we decided a run down estate would be the most suitable place to film for our music video. 

As my mood board shows we came across a metal bin for discarding knifes. We wanted to portray gang violence in some way so decided the bin was a perfect shot to symbolise gang culture in the video without filming real forms of violence. Louton High Street was another location we filmed. This showed the everyday life that surrounded Tom and highlighted his insignificance as the public does not take notice of him. The dark underpass was an important location as that also captivated our theme.

The tone of the video is very dark and gritty and about his typical life. This opening shot helps set this up which we thought worked very well. Tom is framed in the foreground which shows the estate in the background. Again, it highlights his isolation and gives the impression of 'him' and 'them' and shows you he wants to part himself from the estate. Its hard for him to do this though because of the area the area he lives.

Originally, we were going to rely on symbolic references that related to the lyrics throughout our video but decided to change this, mainly because we did not want to confuse our young target audience. We learnt from this last year with our AS thriller as feedback showed us our plot was slightly confusion. We still wanted to link our video to parts of the lyrics which many music videos do of various genres, but not in an obvious way. This challenges the conventions of our genre 'dubstep' as this is rarely done, mainly due to the fact that dubstep is mostly instrumental and rarely contains vocals to relate to. We thought this was a strength as as it was something different which we could experiment with. It worked quite well as the video could give out deeper messages if you thought about it, which we thought was quite clever. An example of this is shown within the lyrics 'electronic world' where you see the gritty CCTV cameras around the tower blocks. This backs the idea of the song title 'Getting Nowhere' and the theme as our protagonist is always upon the watchful eye of the unknown, almost giving the feeling of isolation and not been able to get away.

Costumes and Props

Costumes and props were very important as we wanted our audience to believe that Tom was from around the estate. We accomplished this by giving a Tom a stereotypical youth look with a hooded jacket, jeans and trainers. The plain clothes show him to be indifferent, insignificant to the world and portray him as just a nobody. We also decided to have him with his hood up in the majority of the video, to add more suspicion about him and to show the character as to tyring to keep his head low, particularly in his location and area showing that he does not want contact with people, and when he does its brief and does not look up.

One important prop we needed were the drugs which were essential as they represented the protagonist's struggle. We obtained washing powder in a small plastic bag to demonstrate this in the alley scene. This was very controversial as showing drugs as this challenges all conventions of a typical music video including our own genre. This would affect what time we could broadcast our music video on specific music channels as it would not be allowed to be shown before the watershed.

Camera work and Editing

While editing we decided to add in a dark contrast effect which essentially colour coded our video with a mix of grey dull colours which exaggerated the gritty tone of the video. Shots such as the open green fields would then stand out, giving a different perspective to the estate. This also worked well in the brick wall scene as the sudden change from dull colours to brighter orange colours was quite striking.

An important aspect we had to take consider while editing was the timing. We had to make sure that the entire video was in sync with the beat of the song. This would be expected in our genre of music as the rhythm and flow of the song is key. A scene that used this technique was the brick wall scene where on each beat Tom would appear in a different spot of the frame, high lighting the fact he is stuck and is in a continuous cycle.

Another scene that used this was when Tom was walking towards the camera and the background changed on the beat placing him in a different location.

We purposely made the camera slightly shaky while filming, so each shot wasn't still and boring. The hand held effect also added a sense of immediacy and gave a feeling like you were actually there. As our video was mainly set in one location we always had to use a range of various angles to keep the video interesting. We particularly liked the shot where we famed nothing else apart from a row of flats which made the shot different, rather than just showing the entire building.  

One of the more interesting hots we had was of the traffic. Here we set up a tripod over an overpass and filmed the traffic below roughly for two minutes. When we sped the footage up it gave it a really good affect and showed the audience that time had passed. The darkness contrasted with the yellow bright lights of the cars which made it quite distinctive and interesting to watch.

We used many shots to give an insight of our protagonist. We used a long shot to introduce Tom because we wanted him to be portrayed as an outcast, this showed him in the open and the estate in the background. We used close ups of Tom's face to display his emotion to the audience. In the shot below you can clearly see Tom's expression gaining an insight into what he is thinking.

Here is a word cloud for our blog, relating to our finished music video. It conveys words that have been used most frequently throughout and gives us a clear idea of the most important parts and ideas we used during our production. As you can see, the conventions of our video are the most frequent with words appearing such as "violence", "drugs" and "gritty". These all link within the strong urban themes written in the lyrics and nature of the song and is something we ultimately aimed for. Therefore, as a group we believe our production was a success.

By Christian Sheen

Analysis of Magazine Advert

Our final magazine advert will be featured in Mixmag magazine. The whole urban concept of the advert fits well within our genre, and the song we have chosen to make a music video for. The theme of the advert  is the same for our digipak, therefore the audience can relate between the two. The image captures the mood and tone of the song which is essential for the consumers to know if they decide to look up the song/artist. Magnetic Man traditionally uses dark colours and themes to match their underground vibes, so the use of black and white as the colour scheme worked well in following key conventions of the group.

At the bottom of the advert, there are logos as well as the website. The logos indicate the groups sponsors as well as their logo. Again, this is a key convention in magazine adverts. We inserted quotes from various magazines so that it looks as though its more appealing to Magnetic Man fans, and also fans of the genre.

The boldness of the font allows consumers to differentiate between the song title and artist. We decided to advertise our song with the 'limited edition' EP as it would appeal to people who are already fans of Magnetic Man who may be willing to buy something extra. Finally, we displayed a website to promote the artist online, where also consumers would be able to stay in touch with Magnetic Man and find out the latest news.


By Charlie Head & Christian Sheen

Final Magazine Advert Design

By Charlie Head

Magazine Advert Initial Designs

Here are the first initial ideas for our magazine advert. This was to develop an understanding of how to use photoshop, and also what fonts and extra features should be used and included. We found that it would be a good idea to add features such as the itunes logo to show the audience where you can buy the product from and use a consistant edgy font which gives an urban feel to the advert and relates to our artist as well, which again directly appeals to our target audience.

Another initial idea for the magazine advert was to include an image from the music video that would be an iconic signifier to the audience and immediately engage them to an urban setting. The use of blur and titles is a good feature because it gives a modern up to date view on the magazine advert something that our audience will look for. Having our artists web page on show is also a good feature because our audience can visit it and find out information about tour dates, merchandise and other albums, and so is a good marketing technique for the magazine advert.

By Tom Beal

Magazine Advertisement

We were originally going to advertise our album in the magazine NME. The reason for this was because it is one of the most recognised magazines in the music industry and would quickly increase sales for our album. Researching more into NME lead us to change our minds as it mainly covers indie and rock bands such as The Vaccines. This would give a wrong impression of our artist as they are dubstep producers and are not aimed NME's target audience. We then decided to go with Mixmag magazine which was more focused on dance music such as trance, drum 'n' bass, house, electro and our genre dubstep which was much more suitable for Magnetic Man. Mixmag is aimed at a young outgoing audience and highlights the club scene with a 'partying' theme. Its 'don't stay in' section advertises upcoming events such as gigs and clubs all over Britain which is the audience we are targeting. This shows how artists can be selected through magazines for the target audience. 

As Magnetic Man are relatively new they would fit more into Mixmag as it helps drives new music to a young new generation of people who are open to exciting new genres of dance music. A 'tunes' section in the magazine advertises and reviews the newest and biggest tunes around at the moment from a range of various well known and less known artists who are new to the scene. This is perfectly suitable for Magnetic Man as not only the album could be advertised on a page but also our song 'Getting Nowhere' could be reviewed in the 'tunes' section and help increase sales.

By Christian Sheen

Textual Analysis of Magazine Advert's

Magazine Advertisements are vitally important. This particularly advert is promoting Wretch 32's debut studio album. It was found in music magazines and featured a whole page in the magazine. This is an effective way of advertising his album as it is a large advert, which is going to grab the attention of the reader. Also the fonts used appeal directly to his target market as they are either very bold or already used to represent him and so develop himself as a brand. The picture used is just of Wretch 32, and tells the reader that Wretch 32 is the sole songwriter and a solo artist. With details of collaborations written on the poster it can attract fans of these artists to buy the Wretch 32 album through these other artists. The date of release is clear and paramount as well as stores, both online and physical copies, where you can buy the album so readers who become interested through the poster know where they can purchase the album from.

This advert is for the already out La Roux album. The adverts font is consistent and again helps to brand La Roux as an alternative artist. The picture again is just of her face so shows her to be a solo artist and the main song writer for her material. The advert also gives professional opinions of leading music magazines and reviewers, persuading the reader of the advert to read and give them confidence in what they're reading. The album already being released before the advert also gives a feeling of immediacy to the advert and if the reader wanted to he could buy it now.

By Tom Beal

Magazine Advert Moodboard

These magazine adverts give us many different ideas about how magazine adverts are formatted and presented in the published magazine. The focus is predominantly on the band or their created character, or their album. This is something we can create to advertise for, using a Limited Edition EP of our song and to market a particular picture and use that as a prominent selling point to the advert. Quotes from reviews and ratings from magazines and radio stations are also commonly used on advertisments, and this is something we could implement on to our magazine advert.

By Tom Beal

What is a Magazine Advert?

A magazine advert is an example of advertising in the media, and has become particularly massive with advertising music. Bands and Record Companies spend incredible amounts of money, most commonly producing a poster eske advertisement to put in pages of popular magazines. Other magazine adverts can include a simple photo of the album or band and have reviews from newspapers and 5 star ratings written alongside.

It is vitally important in magazine advertising to pitch to the right magazine to get your advertisement seen by your target audience. Many Heavy Rock bands would target their advertisments to magazines that deliberately target their target audience also, like Kerrang and formally magazines like Madhouse and KTMrocks. Bands to advertise to a more mainstream audience with brand new releases would advertise in magazines such as NME and Q Magazine. All these magazines will dedicate entire pages to magazines, ranging form full page advertisements to fitting a large amounts of smaller advertisements on one page, promoting new siongle releases, a bands new album or upcoming tour dates. With a more dance genre, including dubstep, electronic and trance, bands would pitch to a magazine such as mixmag.

NME Magazine Advert

Mixmag Magazine Advert

Q Magazine Advert

 

By Tom Beal

Analysis of Digipak

Click here to view Prezzi for the Analysis of Digipak

By Tom Beal

Final Digipak Design

By Charlie Head

Initial Digipak Design

By Charlie Head

Digipak Templates

We researched some of the digipak templates we could use. Here are some of the ones that caught our eye. There is an 4, 6 and 8 panel digipak with each one folding up in a different way. We're focusing on a 6 panel digipak because it gives us enough to promote and show off our song. The picture below shows the completed model of the digipak we would like to use. Its shows how it opens out and gives us an idea of where to put the designs and where they would look best.

By Christian Sheen